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These kinetic artworks are in a 3 person exhibition, based on the art of assemblage, at Stella Downer, Fine Art, Sydney until 4 November, 2017. The other artists in the exhibition are Liz Shreeve and Annabel Butler.

The Wager

Mother and Child

The Devil’s in the Detail

Holdsworth inserts light into her works, creating a sense of film noir in the dark nooks and crannies of her interiors. Working with found and made objects she creates intimate narratives that move from the nostalgic to the dark and subversive. In this series of works, Holdsworth engages with the Kewpie Doll, refashioning it into grander imaginary narratives – from dancing with the devil to Madonna and Child and an interior of a radio that recalls the glory of Pharlap and the races. 
Excerpt from catalogue essay by Lucy Stranger

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The Abduction of Europa, 2017, music box assemblage

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This work is based on Ovid’s myth of Europa and Zeus and the Rembrandt painting The Abduction of Europa.  In the myth, Zeus disguised himself as a white bull, and lured Europa onto his back before abducting her. On winding the work from underneath the bull bucks Europa up and down.

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Five new music box assemblages are in a group exhibition at Stella Downer, Fine Art from 5 July – 30 July 2016. The works are automated by music box mechanisms and handmade mechanical parts.

The female figures in 4 of these works are made from plastic, replica toys from the 1960s that I have cut-up and reassembled in order to pose in different positions. Subverting the notion of the traditional ‘unattainable’ music box ballerina twirling in front of a mirror, the females in these assemblages might straddle a horse or a steer. They ride the animals with 1960’s plastic cowboys. The body language and tension between the figures in the work juxtaposes ideas of childhood innocence, and wonder against an adult’s sense of danger and desire.

The 5th work above, The Goose Girl, is based on one of Grimms’ fairy tales, that tells of a ‘chosen bride’ who is forced to swap places with her criminal maid under threat of death. The intended husband’s suspicions are roused, so he follows and watches the ‘Goose Girl’ while she tends the geese, eventually discovering her secret. With a pastiche of narratives and styles, this work is a music box set in a reconstructed antique mantel clock-case (to which I have added the columns). The case becomes reminiscent of an old baroque theatre with a Hitchcockian style backdrop made from an old chocolate box lid. On winding the key, the Goose Girl ‘dances’ to Tchaikovsky’s Swan Lake whilst her suitor watches.