Suburban Noir exhibition
30 November 2013 – 6 April 2014

Curator Peter Doyle invited 14 Australian visual artists to create artworks in response to crime scene photographs taken in postwar Greater Sydney between 1954 and 1964 and held in the Justice and Police Museum’s forensic archive. The resulting works are featured in the Suburban Noir exhibition at the Museum of Sydney.

Inspired by several of the crime scene photographs, I created two kinetic assemblages featuring miniature domestic interiors, each housed inside a 1950s tin bathroom cabinet. Although the interiors recreated the scenes depicted in the photographs, the murder victims were absent. Instead, each assemblage suggested the moments immediately before a crime. When the works are wound, the shadows of figures outside pass across the window blinds, suggesting that events are about to unfold.

The exhibition includes works by Vanessa Berry, Dallas Bray, Rhett Brewer, Charles Cooper, Theresa Darmody, Bruce Latimer, Michael Lewy, Frank Littler, Reg Mombassa, Peter O’Doherty, Ken Searle, Susannah Thorne, and Anne Wallace.

  • The Stalker (detail)
  • The Stalker, 2013, 35x29x14cm, mechanical assemblage
  • The Stalker (detail)
  • The Stalker (detail)
  • The Stalker (detail)
  • The Tryst, 2013, 35x29x14cm, mechanical assemblage
  • The Tryst (detail)
  • The Tryst (detail)
  • The Tryst (detail)

1. The Stalker, 2013, 35x29x14cm, mechanical assemblage
2-5. The Stalker, details
6. The Tryst, 2013, 35x29x14cm, mechanical assemblage
7-9. The Tryst, details

The Stalker, detail – work in motion

Keepsake, 13 December 2013 – 27 January 2014.

Curator Rilka Oakley invited artists living in the Blue Mountains to respond to the parallels between the artist collecting for creative inspiration and the tourist collecting souvenirs as reminders of place. Just as artists and tourists travel to the Blue Mountains to capture its striking views and distinctive landscape, artists who live and work in the region collect objects, images and experiences from other places as part of their creative practices.

The other artists participating in the exhibition are David Brazil, Elaine Campaner, Ona Janzen, Mathew Lynn, Judith Martinez, Brad Moore, Janelle Randall-Court, Wendy Tsai and Kayo Yokoyama.

  • View from a Room, 2008, 16x89x19cm, music box assemblage
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • The Greatest Show on Earth, 2012, 56x36x22cm, kinetic assemblage
  • The Greatest Show on Earth (detail)
  • Just what is it that makes today's homes so different, so appealing? (after Richard Hamilton), 2008, 13x31x12cm, assemblage
  • Just what is it that makes today's homes so different, so appealing? (after Richard Hamilton), detail
  • Just what is it that makes today's homes so different, so appealing? (after Richard Hamilton), detail
  • Squibb’s Lullaby, 2011, 22x15x11cm, kinetic assemblage
  • Abduction of Europa (after Rembrandt), detail
  • Abduction of Europa (detail)
  • Fly Me to the Moon, 2010, 33x30x15cm, kinetic assemblage
  • Fly Me to the Moon, detail
  • The Wave (after Hokusai), 2008, 7x17x8cm, kinetic assemblage
  • Just For Fun, 2012, 20x29x17xcm, kinetic assemblage

1. View from a Room, 2008, kinetic assemblage, 16x89x19cm,
2. View from a Room, detail 1
3. View from a Room, detail 2
4. View from a Room, detail 3
5. View from a Room, detail 4
6. View from a Room, detail 5
7. View from a Room, detail 6
8. View from a Room, detail 7
9. The Greatest Show on Earth, 2012, kinetic assemblage, 56x36x22cm
10. The Greatest Show on Earth, detail
11. Just what is it that makes today’s homes so different, so appealing? (after Richard Hamilton), 2008, assemblage, 13x31x12cm
12. Just what is it that makes today’s homes so different, so appealing? (after Richard Hamilton), detail
13. Just what is it that makes today’s homes so different, so appealing? (after Richard Hamilton), detail
14. Squibb’s Lullaby, 2011, kinetic assemblage, 22x15x11cm
15. Abduction of Europa (after Rembrandt), 2010, kinetic assemblage, 19x20x13cm
16. Abduction of Europa (after Rembrandt), detail
17. Fly Me to the Moon, 2010, kinetic assemblage, 33x30x15cm
18. Fly Me to the Moon, detail
19. The Wave (after Hokusai), 2008, kinetic assemblage, 7x17x8cm
20. Just For Fun, 2012, kinetic assemblage, 20x29x17xcm

Circus, 2 – 20 October 2012

  • The Game of Don'ts, 2012, mechanical assemblage, 30x23x17cm
  • Love and the Fall of Icarus, 2012, mechanical assemblage, 48x36x23cm
  • Superman and the Fall of Icarus, 2012, kinetic assemblage, 43x35x14cm
  • Little Red and The Blue Hand Clown, 2012, kinetic assemblage, 48x25x16cm
  • Little Red and The Blue Hand Clown, detail
  • See-saw, 2011, kinetic assemblage, 15x13x8cm
  • See-saw, detail
  • Tropical Fish, 2011, kinetic assemblage, 15x7x7cm
  • Misty, 2011, kinetic assemblage, 155x35x35cm

1. The Game of Don’ts, 2012, kinetic assemblage, 30x23x17cm
2. Love and the Fall of Icarus, 2012, kinetic assemblage, 48x36x23cm
3. Superman and the Fall of Icarus, 2012, kinetic assemblage, 43x35x14cm
4. Little Red and The Blue Hand Clown, 2012, kinetic assemblage, 48x25x16cm
5. Little Red and The Blue Hand Clown, detail
6. See-saw, 2011, kinetic assemblage, 15x13x8cm
7. See-saw, detail
8. Tropical Fish, 2011, kinetic assemblage, 15x7x7cm
9. Misty, 2011, kinetic assemblage, 155x35x35cm

 

Turn! Turn! Turn! 8-25 October 2008

  • Saturday Night Fever, 2008, kinetic assemblage, 11x8x8cm
  • Saturday Night Fever, 2008, kinetic assemblage, 11x8x8cm
  • The Navvy, 2008, kinetic assemblage, 12x8x8cm
  • The Navvy, 2008, kinetic assemblage, 12x8x8cm
  • The Three Graces, 2008, kinetic assemblage, 16x10x10cm
  • Turn! Turn! Turn!, 2008, kinetic assemblage, 10x8x8cm
  • Pinocchio's Dream, 2008, kinetic assemblage, 41x31x21cm
  • Just what is it that makes today's homes so different, so appealing? (after Richard Hamilton), 2008, 13x31x12cm, assemblage
  • Just what is it that makes today's homes so different, so appealing? (after Richard Hamilton), detail
  • Just what is it that makes today's homes so different, so appealing? (after Richard Hamilton), detail
  • The Wave (after Hokusai), 2008, 7x17x8cm, kinetic assemblage
  • Every Child Wins a Prize, 2008, kinetic assemblage, 33x32x33cm
  • Allegro Con Fuoco, 2008, kinetic assemblage, 11x23x8cm
  • View from a Room, 2008, 16x89x19cm, music box assemblage
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail
  • View from a Room, detail

1. Saturday Night Fever, 2008, kinetic assemblage, 11x8x8cm
2. Saturday Night Fever, view 2
3. The Navvy, 2008, kinetic assemblage, 12x8x8cm
4. The Navvy, 2008, view 2
5. The Three Graces, 2008, kinetic assemblage, 16x10x10cm
6. Turn! Turn! Turn!, 2008, kinetic assemblage, 10x8x8cm
7. Pinocchio’s Dream, 2008, kinetic assemblage, 41x31x21cm
8. Just what is it that makes today’s homes so different, so appealing? (after Richard Hamilton), 2008, 13x31x12cm, assemblage
9. Just what is it that makes today’s homes so different, so appealing? (after Richard Hamilton), detail 1
10. Just what is it that makes today’s homes so different, so appealing? (after Richard Hamilton), detail 2
11. The Wave (after Hokusai), 2008, 7x17x8cm, kinetic assemblage
12. Every Child Wins a Prize, 2008, kinetic assemblage, 33x32x33cm
13. Allegro Con Fuoco, 2008, kinetic assemblage, 11x23x8cm
14. View from a Room, 2008, 16x89x19cm, music box assemblage
15. View from a Room, detail 1
16. View from a Room, detail 2
17. View from a Room, detail 3
18. View from a Room, detail 4
19. View from a Room, detail 5
20. View from a Room, detail 6
21. View from a Room, detail 7